In no real order (the top 10 is a vacuum).
10. Santogold – Santogold
This is a solid record and very indicative of where I think pop music is going, which is toward a meaningful co-existence of hip-hop, rock, and R&B without the stink of novelty. I was working in a restaurant with some pretty nasty cable radio going on, and I was always elated when one of the singles came on. The record is brimming with a sense of entitlement that really pushes my buttons. There are obviously a lot of comparisons to M.I.A. being made, but I think this world’s plenty big enough, and you can hear the ladies demonstrating it here on this amazing collaboration: http://prettymuchamazing.com/uncategorized/new-santogold-mia-get-it-up/.
9. Vampire Weekend – Vampire Weekend
Okay so maybe it’s Graceland minus Ladysmith Black Mambazo, but it stands on its own as a great record. It was hip without sounding like everything else, and the lyrics are significantly anti-pretense and good, which is a rare combination. I guess if I got sucked into thinking about the East Coast ivy league thing, it might creep me out. For the record, I use the oxford comma.
8. The Bug – London Zoo
I wish I could have made it to see these guys open for NIN. The Bug is angry music, but unlike Trent Reznor who is perennially the same kind of angry, The Bug are mad about the political state of the world. Someone has to sing about it other than Green Day and Bruce Springsteen, and who better than some punk/dub agitpropists. “…all dem people whose warrantless stupidness is only surpassed by the weakness of other people… how did we get here and where do we go now?” Ouch, but yeah.
7. Gang Gang Dance – Saint Dymphna
Gang Gang Dance come a little more distilled with this effort, not so sonically and rhythmically mind blowing as God’s Money or my personal favorite, the S/T record. That might be in part because of my own growing palate, or it might because the group wants to make more emotionally effective music. There are more hooks and songs with actuall vocal melodies and lyrics, although they are eventually deconstructed into Gang Gang Dance’s traditional rhythm anarchies.
6. Grouper – Dragging A Dead Deer Up A Hill
I sometimes cynically want to believe that many bands who make shoegaze / dreampop stuff do it because it’s so easy to be reminded of the great originals they’re emulating; distortion, reverb, and two chords will get you pretty close. Then someone puts out an album like this, and I’m completely humbled by the beauty and simplicity of the soundscape. Grouper is a Portland musician to boot. Try to get out walking and listen to it before the snow melts.
5. Women – Women
Slowly but surely Canada is starting to convince America of its superiority. They tried to do it with sketch comedy and universal health care, but Americans’ funny bones were broken sans insurance. So Canadians started chopping at the roots of the proud oak that is America with rock and roll. Bands like Broken Social Scene, Wolf Parade, The New Pornographers, The Hidden Cameras, and Of Montreal started taking over everything. Women are just the next soldiers out of the Torontonian horse (actually they’re from Calgary). Seriously, this album is great. It’s Beach-Boys-wall-of-soundy with beautiful vocal harmonies that don’t subsist on reverb alone. Yes it will remind you of The Shins.
4. Harvey Milk – Life… The Best Game in Town
There were a lot of metal albums albums I found amusing (Dragonforce, Amon Amarth), but I just wasn’t feeling them beyond a wow and a chuckle. Harvey Milk, on the other hand, delivered the riffs and the aggression without all the embarrassment. They’re more reminiscent of Motörhead or Pantera than any death or black metal bands. The band’s name makes it that much better (they formed in the early 90s). This will definitely be the hardest rocking album on this list.
3. Matmos – Supreme Balloon
Matmos forgo their time-tested technique of microphone field recording turned concept albums, and on this one use only electronically generated sounds, i.e., no microphones whatsoever. I love the idea of listening to modern artists who have either grown up listening to 8-bit video game music or have been making electronic music for so long that default ARP, Moog, and Casio sounds become “organic” to them. This is a really playful, fun record if you like beeps and clicks, and only a cold-hearted robot doesn’t like beeps and clicks.
2. Vic Chestnut / Elf Power – Dark Developments
This album is just full of vibrant, memorable songs, and as always Chesnut delivers with the lyrical umph. If “Teddy Bear” doesn’t turn your bones to mush, you might as well just give up on music. That’s stupidly heavy handed, but it’s an incredible song, from its backwards structure to its simple, haunting refrain. Elf Power totally deliver in the production dept. too.
1. Mercury Rev – Snowflake Midnight
These guys could probably sneeze into the mic with some cathedral reverb and it’d make my top 10. I think that’s actually on Boces. Jk, but a few albums ago Mercury Rev sang my favorite lyric ever, and Snowflake Midnight follows up with the kind of optimism that only Oprah and Jonathan Donahue can pull off: “Snowflake in a hot world / don’t let them get to you / don’t let them tell you / you’re all the same.” Yes! I am a snowflake!
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